VAT-free sales possible to businesses and individuals in the EU (outside the UK) with a valid VAT Number.Ĭan be set up for whatever voltage you are on – let us know before shipping. Price includes VAT at 20% (for sales in UK/EU) – buyers outside the EU please contact us for tax-free prices. The buttons have some yellowing and there is the inevitable rack rash but the face is looking great. The H910 page on Eventide’s site is a good place to start for information on this unit.Ĭondition is good. It’s the Bowie/Visconti snare sound – for me that’s enough right there… The game-changing quality of what Eventide did is evident from the fact that the sound still in demand enough for Universal Audio to develop a plug in.
Zappa, Bowie, AC/DC and a slew of other artists made use of it.
In fact we may well also have a H949 Harmonizer available currently – if that one is showing as sold then check the stock sheet, or get in touch to reserve the next one available.Ĭombining pitch change with delay and feedback, when it was released in the mid-70s it was the first commercially available digital effect. I also used it to detune room Mics on a drum kit recorded in a small room.We’re totally hooked on these Eventide boxes – both this one and the H949.
#Eventide harmonizer h910 bowie full#
I would occasionally use it to manually pitch down a drum full for a wild effect. Guitarists used it all the time as an effect by turning up the Feedback control for a wild tunneling effect. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. In 1976, we started the digital audio revolution with the world’s first digital effects box, the H910 Harmonizer, which is still used on countless recordings to this day. The H910 Harmonizer was the world’s first digital effects processor. It was perfect for a double track effect on the lead vocal by slightly shifting the pitch and adding a short delay. You can hear these early EVENTIDE effects on Led Zeppelin’s Kashmir and David Bowie’s Ashes to Ashes and hundreds of other classic recordings. That grainy low bit musical 910 sound disappeared on all later models. I don’t think there was one record that I mixed during the late 70’s and early 80’s that didn’t have the 910 somewhere on the mix. Read More…įor the creative recordist, or sound-show manipulator, or serious student of musical sonics and speech patterns the Harmonizer also has unexplored potential for both investigating and creating a myriad of possibilities. Quirky, exotic and a bit unpredictable, the H910 just sounds beautiful…It’s a plugin that really favors experimentation and that can deliver some unexpected results, so don’t be afraid to try on things you wouldn’t initially expect to work. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects. When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. Use the H910′s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. Simply put, nothing sounds quite like it.Ī powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware.
The H910 Harmonizer was the world’s first digital effects processor.
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